Its Friday, and Im planning an Oceans 8-style heist, but the mission is to get eight friends over 30 to commit to a single brunch date.

Hello from Los Angeles, where were getting our hair done like Midge Maisel, hitting the rodeo with Chloé Zhao, and listening in as Guillermo del Toro and William Friedkin talk shop.


When I ask Emmy voters which show theyre most enthusiastic about this year, the title that often comes up is Amy Sherman-PalladinosThe Marvelous Mrs. Maisel, which hit Amazons streaming service last November and won over critics with its witty writing, period production design and costumes, and plucky housewife-turned-comedienne protagonist, Rachel Brosnahans Midge. In a sign of how Peak TV has yielded inevitably to Peak Awards Campaigning, Emmy voters now have the opportunity to immerse themselves fully in Midges world, in a space at the Hollywood Athletic Club that Amazon is calling its “Prime Experience.” This is Amazons second year taking over the club to showcase its shows, and this time its inviting members of the general public as well. “We started to do some research,” Amazon Studios head of marketing Mike Benson told me, of the companys for-your-consideration initiative. “Everyone was doing the same thing from an awards perspective—a screening and a panel. We thought, what if we do it differently? What if we made it more intimate?” From April 12 to April 27, TV Academy members and casual fans can step into a 1958 New York kitchen designed like the Maisels, have their hair done like Midges, and stop by the Gaslight Cafe, where she performs her stand-up comedy. In addition to the Marvelous Mrs. Maisel space, which was built to Sherman-Palladinos specifications, Amazon will also have experiences devoted to other original series, including Philip K. Dicks Electric Dreams,Mozart in the Jungle,The Grand Tour, and The Dangerous Book for Boys.

By Nicole Rivelli/Amazon/Everett Collection.

Netflix, too, has made an art form of the out-of-the-box Emmy campaign. Last year the streaming company took over an office building in Beverly Hills and filled it with costumes, props, and installations of its numerous series, including The Crown and Stranger Things.This year Netflix is going even bigger, filling a more-than-30,000-square-foot space at Raleigh Studios beginning on May 6, and stacking it with programming for such shows as Grace and Frankie,Ozark, and Queer Eye. The people behind Emmy contenders from more traditional TV networks often complain about their deep-pocketed, tech-company competitors. If theres one advantage the networks have had over streamers, its the fact that most TV Academy members still rely on a good old-fashioned cable TV package. But this year, Amazon has added a space for people reluctantly grappling with the new technology. Amazon will have a room at the Hollywood Athletic Club dedicated to helping visitors learn how to stream television, whether on a smart TV, laptop, phone, or other device. And if you cant even figure out how to connect your fancy new smart TV at home? “Well have experts there to help you learn how to do it,” Benson said.


If you have not yet discovered Hulus 9/11 drama, The Looming Tower, this would be a good weekend to start, as the propulsive show drives toward its finale next week. Vanity Fairs Nicole Sperlingprofiles the seriess breakout performer, French actor Tahar Rahim, who plays Lebanese-American F.B.I. agent Ali Soufan. Cinephiles may remembers Rahim from Jacques Audiards 2009 Oscar-nominated prison drama, A Prophet. After that role, Rahim kept Hollywood at arms length, turning down parts that would have called on him to play a two-dimensional villain, usually an Arab terrorist. “I was waiting for something good from America,” Rahim said. “At some point, I thought maybe its a dream I better leave [alone].” Instead, in the role of The Looming Towers Soufan, Rahim plays a real-life tragic American hero, who tried to warn the U.S. of an encroaching threat.


Chloé Zhaos neo-western, The Rider, the talk of last years Telluride Film Festival, finally gets its theatrical release this weekend. Critics have heaped praise on Zhaos portrait of an ailing rodeo man, starring and inspired by real cowboy Brady Jandreau.Vanity Fairs K. Austin Collinswrites that The Rider is “soulful, elegant, filmed as often as not at the magic hour, when the sky is as broad as it is orange yellow, and every nook of the world seems alight with possibility.”


It appears there actually is something Dwayne Johnson cant save: his new movie, Rampage.Vanity Fairs Richard LawsonsaysRampage, which is based on a 1986 arcade game, “dumps Johnson into a blank role and figures thats enough to make things work. Its The Rock, doin stuff! Yeah, sure, it is The Rock doing stuff. But its stuff weve seen him do before, in better movies.”


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This weeks very special episode of Vanity Fairs podcast Little Gold Men, made in partnership with the Talkhouse Podcast, includes part of an expansive and frank conversation between directors William Friedkin and Guillermo del Toro. When Friedkin asks how del Toros life has changed since his film The Shape of Water won the best-picture Oscar in March, del Toro describes the months-long awards-season process as “like Heart of Darkness”: “You start with one mission—you start saying look, whatever happens happens. Then you get the nominations, and little by little you are in.”


“If anyone tries to tell me any of my modest movies arent actually movies they can kindly go stab themselves in the face several times and set themselves on fire”—Jeremy Saulnier, director of Hold the Dark, a Netflix movie impacted by the streaming companys feud with the Cannes Film Festival, to IndieWires Eric Kohn.

Thats the news for this week on the Hollywood and awards beat. Tell me what youre seeing out there. Send tips, comments, valet-line gossip, big deals you overheard at the Polo Lounge, bad vibes you picked up on at Craft, and Midge Maisels favorite cold cream to [email protected] Follow me on Twitter @thatrebecca.

Get Vanity Fairs HWD NewsletterSign up for essential industry and award news from Hollywood.Rebecca KeeganRebecca Keegan is a Hollywood Correspondent for Vanity Fair.

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