Even a recovering Bob Dylan fanatic like me might make it through Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese without catching any of its tricks. Martin Scorseses previous Dylan documentary, No Direction Home, is pretty straightforward; this new one, focusing on his 1975 tour, is more playful with the truth.

Toward the end, for example, I realized that one of the films talking head commentators looked weirdly familiar. It was actor Michael Murphy, reflecting on a carnival-like 1975 tour Dylan headlined, with Joan Baez, Ramblin Jack Elliott, Allen Ginsberg, Joni Mitchell, Mick Ronson, and many others along for the ride.

But Murphy wasnt talking as a fan: he was speaking as Rep. Jack Tanner, the character he created with director Robert Altman and cartoonist Garry Trudeau for the 1988 HBO miniseries Tanner 88, and the Sundance Channels 2004 follow-up, Tanner on Tanner. Its not exactly the most widely remembered show in television history—and what “Tanner” was saying didnt sound all that implausible, making it easy for a viewer to get duped.

So why include something like this in a so-called documentary at all? Because being obsessed with Bob Dylan means analyzing and scrutinizing and holding each note up to the light to find new interpretations. In this world a raucous sing-along with the chorus “everybody must get stoned!” couldnt possibly just be about getting stoned—but any mention of the word “rain” must mean heroin. A track about the end of a relationship, called “Sara,” couldnt just be about Dylans impending divorce, even if he got divorced from a woman named Sara. As a capital-G genius (thank you, Swedish Academy!), everything Dylan does and says has to have some additional meaning.

Dylan brought this on himself. He came on the scene in the early 1960s, claiming to be a hobo riding the rails who sang a song to Woody Guthrie in a New York hospital. He was actually a middle-class kid named Robert Zimmerman—but he did make that hospital visit! His 2004 memoir, Chronicles: Volume One, was a best seller, but biographer Clinton Heylin calls parts of it “a work of fiction.” In Rolling Thunder Revue, an off-screen interviewer—possibly Scorsese, although its tough to tell—asks Dylan to summarize the 1975 tour. “I dont remember a thing about [it]…I wasnt even born!” Dylan replies. He wears the elusive nature of truth like a bolo tie.

So here is something of a scorecard for Rolling Thunder Revue, an attempt at gauging more precisely what in the film is real, and whats not. Its likely an imperfect list, but thats probably the best we can do; when I asked Netflix for clarification on a few points, this was the response I received: “The film is not a typical documentary—meaning Marty and team cleverly blended fact and fiction to conjure the essence of the tour and the times…We are not specifically discussing all the choices and why, and want to keep the surprise elements of the film for first-time viewers to experience as they are watching.”

Rep. Jack Tanner: 100% FAKE

As mentioned above, Jack Tanner is a character played by Michael Murphy (costar of Woody Allens Manhattan, Wes Cravens Shocker, and Brett Ratners X-Men: The Last Stand), created by Robert Altman and Doonesburys Garry Trudeau. In Rolling Thunder Revue, he spins a yarn about President Jimmy Carter scoring him tickets to the show. Carter was indeed a Dylan fan, but the truth ends there. Tanner 88, the political satire in which the Tanner character was born, boasts cameos from people like Ralph Nader, Studs Terkel, and Art Buchwald. Aint that a party! Cynthia Nixon also plays the candidates college-age daughter. Tanner on Tanner (2004), in which the character also appears, is probably the only series out there with footage of Al Franken playing racquetball.

Stefan van Dorp: 98% FAKE

There is a lot to unpack within this patrician, European film director, whose footage is purportedly re-used for Rolling Thunder Revue. The director is actually a character played by actor Martin von Haselberg, probably best known for being Bette Midlers husband. (In an even more meta in-joke, Midler herself appears for an instant in Rolling Thunder Revue, in old footage taken at the club Gerdes Folk City. Dig further and theres some evidence that she and Dylan actually were quite familiar for a time in the 70s.)

Scorseses film implies that “van Dorp,” prior to coming to the U.S. to self-finance a Dylan documentary, was the stylist and director for the band Shocking Blue (most famous for the song “Venus”), a gag that perhaps stems from childish mockery of von Haselbergs name. (Shocking Blue was from the Netherlands; the band featured Robbie van Leeuwen on guitar and Cor van der Beek on drums.)

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Whats actually true is that Dylan did hire people (primarily Howard Alk) to shoot mountains of footage from the 1975 tour, for a project called Renaldo and Clara. The concert footage in Scorseses film comes from that cache, as does some of the backstage hijinks we see, and a few of those sequences are ported over directly from the finished version of Renaldo and Clara. What we see very little of are “fictional” scenes from the Renaldo and Clara project, which well get to next.

Sam Shepard: TRUE

Sam Shepard actually was on the 1975 Dylan tour—and as is described in Rolling Thunder Revue, he was employed to craft some sort of dramatic framework for off-hour film “scenes” starring Dylan, Baez, Sara Dylan, and others. Musician Ronnie Hawkins appeared in Renaldo and Clara as “Bob Dylan,” and actor Ronee Blakley (another Robert Altman connection, as she is best known for playing Barbara Jean in his film Nashville) plays “Mrs. Dylan.”

“Wow,” I can hear you saying. “This sounds nuts! Where can I see Renaldo and Clara”?

Well legally it isnt easy. The nearly four-hour-long movie was barely released in theaters, and has never made it to DVD or streaming. A spongy VHS dupe from a German television broadcast is probably floating around out there—but Im here to tell you that while the project may sound cool, its actually an absolute bore. Its a bunch of nonactors exhausted from performing, mumbling their way through a half-cocked scenario in a bunch of hotel rooms. Some brave internet soul wrote a scene-by-scene summary if youre really curious.


One of the best moments in Scorseses film is when Sharon Stone suggests that she, as a teenage model, hooked up with then 34-year-old Bob Dylan somewhere on the road during the Rolling Thunder Revue.

There is no evidence that this actually happened. My educated guess is that Stone did not “join the tour” to help with the costumes, even if Baez says she did. Prior to this week, the only apparent connection between Dylan and Stone was the (lets face it) bad collage he made of the actor that showed at the Gagosian Gallery in 2012.


A lot of misdirection emerges organically from the Rolling ThRead More – Source

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Vanity Fair

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