Badiucao holds a flag he created, inspired by the Lennon Wall, during Be Water: Hong Kong vs China in Melbourne Photo © Asanka Ratnayake/Getty Images

The Chinese artist Badiucaos drawings of the Hong Kong protests have been seen around the world, but he still cannot break into the art world.

At 33, Badiucao has already achieved what many artists of his age have only dreamed of. Images of his political cartoons slamming Chinas authoritarian rule and supporting the Hong Kong protests have made headlines in some of the worlds most prestigious media outlets. The public loves his work and shares it enthusiastically on social media. And his activism is well-known: a documentary about him was shown on Australian TV in June, on the anniversary of the Tiananmen Square massacre.

But unlike fellow Chinese artist-activist Ai Weiwei, whose work is widely exhibited internationally, Badiucao is virtually unknown. He wants to sell his works like most artists do, but he does not have a gallery representing him. He also hopes to stage an exhibition to show people that his artistic potential lies beyond hard-hitting political cartoons and drawings, but what could have been his biggest solo show to date was cancelled in Hong Kong last November amid threats to his personal safety. Last month, he tried to stage an artist talk about activism with Hong Kong musician-activist Denise Ho at the National Gallery of Victoria in Melbourne—the closest he has ever gotten to an art institution—but the museum rejected the event for “security reasons”.

People dont see political cartoons in the sphere of fine art or galleries

“Im struggling, you are right,” Badiucao says in a phone call from Melbourne, where he lives. “I guess Im seen more as an opinion leader online rather than an artist. People dont see political cartoons in the sphere of fine art or galleries.”

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Since June, Badiucao has been posting his political cartoons of Hong Kongs pro-democracy protests on Twitter and Instagram almost daily. His most widely shared works include his visual commentaries on police brutality against protesters. In his adopted home of Melbourne, he has also created a version of the Lennon Wall—a visual symbol of the Hong Kong protests made up of Post-its of peoples messages on the walls across the city, which is named after the original Lennon Wall in Prague.

A new tone

Recently, his artistic style has shifted. When he started political doodling in 2014, just before the outbreak of Hong Kongs pro-democracy Umbrella Movement, he used eye-catching, contrasting colour blocks and hard, powerful lines inspired by the German Expressionists. Now his tones are softer, he has lost the sharp edges and replaced colour blocks with what appear to be ink brushstrokes.

Badiucao cartoon morphing the faces of President Xi Jinping with Hong Kong's chief executive Carrie Lam © Badiucao

“I want them to look like traditional Chinese ink paintings,” says Badiucao, who was born and raised in Shanghai before moving to Australia a decade ago. At first he published his political cartoons online anonymously until the abrupt cancellation of his Hong Kong show last autumn, when he realised the Chinese authorities already knew who he was. But he did not show his face publicly until Australian TV screened the documentary about him, Chinas Artful Dissident, in June.

The shift in his style has been inspired by a stint working as a graphic designer in Ai Weiweis studio in Berlin in 2018. “A lot of Ais works contain the traits of ancient Chinese culture and antiques. When Read More – Source