Whore of Essex (1986) courtesy Holburne Museum

Before he became a National Treasure and his pots were put behind glass cases in swanky galleries selling popular merchandise, Grayson Perry was an angry young man, channelling the subculture of Margaret Thatchers Britain into wry, funny and powerful ceramics. Around 70 works from the “pre-therapy years”—as he has termed the period—have been reunited for the first time at The Holburne Museum in Bath thanks to a public call-out. More than 150 works, including Whore of Essex (around 1986), were given for the exhibition by “collectors, enthusiasts and friends”, according to the curator Catrin Jones. The show covers the period from when Perry left art college in 1982 until his first major gallery exhibition with Anthony dOffay in 1994. Despite the urgency and anger displayed in many of the works, the subject matter is often ambiguous, subtle and less on-the-nose than much of his more recent work. There are early versions of Perrys signature motifs—motorbikes, transvestites, idealised women, Essex landscapes—as well as his frank use of text, such as on a pot from 1988. “Its getting harder to be cynical, when so many […] millions are poor and homeless, rainforests disappear,” he declares, “but Im alright jack, it makes great subject matter and lends one credRead More – Source


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