Agnes Pelton, Awakening: Memory of my Father (1943)
Photo by Blair Clark
Only a couple of thousand years ago, we were warned by our Roman forebears, “De gustibus non disputandum est”—when it comes to taste, theres no point in arguing. Of course, this has not stopped us from battling away in every generation. Jori Finkel, the American arts journalist, has put together in this book the remarks of 50 contemporary artists on their favourite works of art. None has had the chutzpah of Elizabeth Schwarzkopf (who chose only her own recordings for Desert Island Discs) to self-select, but each writes about 400 words to a page about the chosen work on the facing page. About a third of the book is taken up with the artists biographies. Each of the artists has things to say about his or her chosen work; most comment directly on how their chosen works relate to their own works (Judy Chicago says of Agnes Peltons Awakening: Memory of my Father (1943): “…until the advent of abstraction, women artists were not free to convey their experiences directly. Abstraction opened up the visual landscape for us to invent forms to convey out internal reality”). These comments will, no doubt, come in handy for critics and art historians who need to explain artists working methods, ideas and borrowings, and will be helpful to readers who waRead More – Source
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