Arts commentators question Conservative Party’s controversial £120m festival of Brexit

Arts

The 2022 festival will be backed by a £120m government investment

The Conservative Party confirmed in its manifesto, published earlier this week, that it plans to move forward with the cultural Festival of Great Britain and Northern Ireland if it wins the UK general election on 12 December.

The Tory manifesto says that “the Festival of Great Britain and Northern Ireland in 2022—a national celebration which coincides with the Birmingham Commonwealth Games—will encourage our leading arts and cultural organisations, universities, research institutes and businesses to come together to inspire the next generation in British innovation and creativity.”

The 2022 festival will be backed by a £120m government investment, says a statement from the Department for Digital, Culture, Media and Sport. But arts professionals have raised concerns about this proposed showcase of Great Britains talents, once dubbed “the festival of Brexit” by the Tory MP Jacob Rees-Mogg.

“To expect such institutions to participate in a celebration of Brexit is, then, to fire a volley in a culture war”

Gail Dexter Lord, the co-president of the Lord Cultural Resources consultancy, says that the project raises a number of issues. “Im astonished if this could all come together in two years. With the cutbacks museums have suffered in the last decade, how could they afford not to be involved?” It is not clear also if Scotland will be part of the UK in 2022, she adds, referring to a possible second independence referendum.

The museum consultant Nick Winterbotham, also the director of the United Nation's youth-led initiative Be the Change, tells The Art Newspaper that “there are mixed feeling among the professionals I work with. Some say they wont get involved with something so politicised… Others look at festivals to redress the chronic underfunding of the arts.” In the manifesto, the prime minister Boris Johnson pledges a £250m fund “to support local librRead More – Source