Sheldon Scott's Exorcism of the Sweet (2016)
© Sheldon Scott
In a rebuff to President Donald Trumps recent federal memo that could limit the definition of gender and effectively repeal civil rights protections for LGBTQIA+ citizens, several US dealers are dedicating their stands at Art Basel in Miami Beach to artists whose works visualise and celebrate queerness.
Wendy Olsoff, a veteran of New Yorks politically active East Village art scene of the 1980s and the co-owner of PPOW gallery, says that the gallery has always sought to represent artists “struggling for the greater good” and who produce socially challenging work. At Art Basel in Miami Beach this year (6-9 December), the work of seminal gay artists Ellen Cantor, Hunter Reynolds and David Wojnarowicz will fill the gallerys stand. “Politics have fluctuated from right to left back to right again,” Olsoff says. “Our programme has become increasingly relevant and historically instructive.”
Pride spills into Miamis satellite fairs during the week, too. At the Nada fair (6-9 December), Erti Gallery from Tbilisi is dedicating its stand to a solo presentation by the Brooklyn-based Georgian artist Levan Mindiashvili, whose site-specific installation explores masculinity and queerness through the lens of his home country, which is ranked as the worlds third-most homophobic. The New York gallery Gordon Robichaux brings together new works by the painter and former drag performer Tabboo!, the trans artist Florence Derive and the self-taught artist Otis Houston Jr. Meanwhile, Company Gallery, also from New York, will show the beaded ceramic sculptures of the queer Mexican artist Raúl de Nieves, who had his breakthrough with his participation in last years Whitney Biennial; it is the first time the series of work will be shown in the US.
Work from Scott's Lifelong Affirmations series (2018) at Untitled Miami
© Kristin Adair
At the seventh edition of Untitled Miami Beach (5-9 December), first-time exhibitor Connersmith from Washington, DC, introduces Sheldon Scotts sculptures made of sports equipment and glitter, and Andrew Rafacz gallery of Chicago exhibits Caroline Wells Chandlers hand-crocheted figures of gender non-conforming bodies. Also, ACRIA—a leading international organisation in HIV/AIDS research and education—presents a slew of newly published editions as part of its Artists Ending Aids Fund, including works by Jack Pierson, Anne Collier, Emily Mae Smith and Andrew Brischler.
“Freedom of speech and expression is critical at this moment, and we must do everything possible to support and protect it,” says Manuela Mozo, the executive director of Untitled. “In our current political climate, it is no longer possible to maintain neutrality in the name of inclusion.”
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