Janine Antoni, I open the gates, 2019 © Janine Antoni; Courtesy of the artist, Luhring Augustine, New York, and The Green-Wood Cemetery, New York. Photo: Ralph Smith
The catacombs of Green-Wood Cemetery in Brooklyn have been animated with a series of sculptures reminiscent of religious icons in the latest project of the New York-based multidisciplinary artist Janine Antoni. The site-specific commission, called I am fertile ground, aims to “create a space for people to contemplate and become comfortable with what is inevitable for all of us”, the artist says.
The works, which are placed in rooms throughout the catacombs, each consist of a photograph that the artist has captured of her own or her parents bodies surrounded by a frame cast from fake bones and gilded in 24-carat gold. Across from the works, performers enact a series of gestures and recite various chants that metaphorically encapsulate the images.
A photograph of Antoni holding her ribs references “the sacred heart of Jesus and the idea that this area of the body—which holds the heart and lungs—is where we hold much of our emotional and physical memories”, she says. Another image of her mothers hand touching her fathers ear, symbolises “physicality and aging”, she adds.
Antoni is the first artist to install a project in the catacombs, which make up one of the historic cemeterys oldest structures, dating to the 1850s, and are not typically open to the public. She chose the location to demonstrate the juxtaposition of “Green-Woods beautiful landscape, where the bodies are below you, and the catacombs, where you enter the space of the dead”, she says. “It feels cold, dark and so visceral, and you can sense that this is your fate.”
The artist is best known for utilising her own body in performances that reference everyday rituals. “When IRead More – Source
