Rikrit Tirvanija at the ICA's new sake bar
Courtesy of Louisa Buck
It has now been more than 25 years since Rirkrit Tiravanija first fed gallery visitors daily bowlfuls of Thai curry at the ICAs 1993 Real Time exhibition. The landmark show, curated by Gavin Brown, featured artists making works that engaged directly with real life. Now, this most hospitable of artists is back at the institute, this time with a permanently sited work—Tiravanijas first in London—that confirms his continuing commitment to art as both physical sustenance and a tool of social interaction.
untitled 2019 (the form of the flower is unknown to the seed) (2019) is a fully functioning sake bar sited between the ICAs lower gallery and its theatre. Its name is a quote from The Origins of Form in Art, a 1966 book by Herbert Read, one of the ICAs founders. Open to all comers during the ICA's opening hours, the bar is furnished with a long low table and chairs made in Tiravanijas studio in Chiang Mai. It is further embellished with special lighting and wall paintings of the sunset and sunrise. As well as serving the finest sake, it will also offer Japanese-influenced food made in consultation with the Rochelle Canteen who run the ICAs existing café and restaurant.
Installation view of untitled 2019 (the form of the flower is unknown to the seed) (2019)
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